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Monday
25Jan2010

Rolling Out the Red Carpet for “Damages” Premiere

production glue was pleased to support Bethney Ruggiero and Strategic Event Design in the creation of a red carpet press entry for the season premiere of the FX series “Damages” starring Glenn Close.

 The red carpet event was held at the Equitable Building on 7th Ave. in midtown Manhattan and was attended by cast members Glenn Close, Ted Danson, Rose Byrne, Tate Donovan, Martin Short, Keith Carradine, Tom Noonan and Zachary Booth.

 The 30’ foot long step-and-repeat was shoulder-to-shoulder with press and paparazzi on Tuesday Jan. 19th as the stars strolled down the red carpet to smile and preen before the 3rd season’s premiere episode was screened in the lower level auditorium.

     

The production glue team, headed up by Production Manager Tim McDevitt, was responsible for the banner, red carpet, and lighting.   Smile, flash, thank you- and good night!

Thursday
14Jan2010

production glue back at the Detroit Auto Show

After a several year hiatus, production glue returned to the Detroit Auto Show.  production glue oversaw the technical production of Hyundai's Press Event for Nathan Murphy and Jim Rossi of Martin Brinkerhoff Associates.  The production glue team was  led by Technical Director Tom Bussey and additional on-site support was provided by Jack Hilley.  The lighting design for the event was executed by Greg Cohen of UVLD.  The Hyundai display consisted of a very effective use of exsisting booth properties, LED, and turntables. These elements, combined with custom content created by MBA,  showcased Hyundai's impressive new vehicles and brand message.  

The technical production at this year's auto show was generally more muted than what we've typically come to expect from the Detroit International Auto Show. Undoubtedly, this   was primarily due to the economic difficulties the auto industry faced in 2009.  However, the mood as we enter 2010 is hopeful and there was still some exciting and notable technical production to be seen. 

 We at production glue thank MBA for this opportunity and look forward to future collaborations in 2010.

Monday
04Jan2010

things to remember...

I'm not normally moved to write for our blog or open myself up that much to our other social marketing tools that we use to stay connected to the larger world outside our little sandbox, but the events of 2009, both recent and now distant, are compelling enough that I wanted to take a few moments of my time, and hopefully yours, to share.

let's go back to the moon next2009 has been a difficult year for all of us in the event industry and although production glue has been extremely fortunate  to stay relatively busy, we have had to jump through hoops and reinvent ourselves throughout the year and we have bent over backwards to support every project of every type that we could to maintain our small production family. We started the year off (actually ended 2008) with serious concerns - the financial world was falling apart, the auto industry was in ruins, pharmaceutical companies  were postponing and outright canceling all year, and corporate meetings of all types became taboo – the very future of corporate events seemed perilous. Our ability to make payroll was a question we had never had to face before, let alone if the principals would be able to pay themselves. The crumbling of every area of our industry in what was typically our busiest period was disheartening to say the least. Both Eric and I wondered not only if our company would survive, but what we would do if it didn't - there simply was nothing going on  and neither of us had ever experienced such a dry spell. Fortunately for us we have always believed in diversity and we had some irons in the fire and some committed Broadway Theatrical work (US national tour of Mary Poppins) that kept us busy. Not the most profitable work, but work nonetheless, and enough of it to keep the lights on and  a couple members of the team working. 

On Alpha holding at Juliet. By the time the snows in Chicago had started to melt, slowly but surely the network began to come back to life ever so tentatively. Eric and Matt being their industrious selves had not stayed dormant during the winter - they had aggressively broadened our range of services and made serious inroads into music festival production. Their toils began to pay off and bookings for the summer began to come in - small, often straightforward work, but work nonetheless. Also some very hard work by Jennifer had secured some significant full service work that propelled us through the 2nd quarter and towards the fall. We spent the next several months keeping up with the increasing workload and wondering if we had run the gauntlet well enough. The most important thing to Eric and I was that we had not had to lay anyone off and that although we might have suffered, we were able to maintain our production family and in fact grow it. There have been changes to the faces that make up production glue this year, Rich Cocchiara has moved on and we wish him well in his pursuits. Our core team of Technical Directors- Jack Hilley, Tim McDevitt, and Lucas Zimmerman- have continued to gel and evolve under Matt Richman's guidance and continue to impress with flawlessly executed projects. We have added new members to our team, Jon Midgal as our resident signage expert and GM (which title comes first depends on the task at hand), as well as Cheryl Adler who is working as an associate event producer with Jennifer for those occasions when we are asked to do it all here in NYC. Other new hires are in the works for 2010 and our family of event production specialists is growing. 

We have our challenges ahead - 2010 is an important year for production glue and for the entire industry - have the last 18 months or so just been a blip?  Have we  passed the low point? How lasting will the effects of reduced budgets and reduced timelines be? Will companies continue to travel for corporate meetings? We believe that  in actuality the corporate marketing budgets do still exist, but the message is different. The tone has changed and shows will continue to be more austere for a while, but we will work our way out of all pipe and drape shows slowly but surely; we will find new clients to push the edge  who want to create a "wow" for their customers - getting positive media attention is still just as important to corporate america as it ever was.

For us, 2009 has been a story of success and growth in the face of extreme adversity and for that I am truly thankful.

before the winds...Speaking of extreme adversity.... my recent project - the unveiling of Virgin Galactic's Spaceship Two - was by far the most challenging project I have had the honor and pleasure of being a part of in some time. In fact,  my recent experience  with this project is what has moved me to make this contribution to our blog and to share my thoughts. – If you've read this far, keep reading - as I can honestly say that  what transpired the night of 12/7/09  influenced me more than any other event of 2009, and perhaps more so than any in my career. 

The project was an adventure from the very beginning - an event to unveil a real commercial spaceship - the height of adventure travel as envisioned by Burt Rutan and Sir Richard Branson. Virgin Galactic is a  bold (and perhaps brazen) proposition, but it is the cutting edge of exploration for the masses.  People used to think planes would never cross the Atlantic and that computers would never be affordable (or smaller than a car) - so who knows where this advance in exploration will take us? Many who have been to space ardently believe that the more people that go to space and see the world as the small blue dot in a vast sea of black, the more people will work for peace and climate change. A creative concept hatched by GroupDelphi (Justin Hersh, Tony Erpelding, Dave Salinger, Fritha Knudsen, Victor Friedberg) and John Featherstone of Lightswitch was an equally audacious response to an audacious RFP. 

an awesome reveal - lighting by John Featherstone! Virgin Galactic wanted a plan for a reveal event and a party to celebrate the official debut of SS2 (spaceship two) in early December either in LA or at the proving grounds in Mojave - all in about 9 weeks from the date of the RFP.  The winning concept proposed by GroupDelphi  called for the entire event to take place out in the elements - to do the press conference, the reveal, and the post reveal party right on the tarmac at the very proving grounds for the spacecraft. It was no easy concept and weather was a central topic of the first conference call - the possibility of high winds was discussed as was the possibility of everything from 70 degree temperatures to the chance of snow. We looked at historical weather records and although  there certainly was  the possibility of a significant weather event, the probability of it hitting for an extended period of time was minimal - weather events seemed to last for a day, maybe two, and then move on. They also seemed , historically, to be manageable and within the limits of the structures we wanted to use. It was not a plan without  risk- but neither is Virgin Galactic and the concept and the level of risk involved was certainly palatable. 

it looked so cool at night....Although we always kept an eye on the weather as you would do with any outdoor  production, we were all quite calm and confident leading up to the event - we had a plan,  it was solid, and we would execute that plan. We  had also created, in conjunction with David  Salinger of GroupDelphi and with the Mojave Air and Space Port and local agencies, an extensive emergency plan for all possible events. 

Of course, as these things go, the weather for all the the site surveys and the first 4 days of the load in, including the dress rehearsal, was beautiful - mid 60's sunny, no wind, no rain - perfect. Unfortunately, the forecast began to worsen that last day and sure enough it looked like we would get some rain and some wind on our event day and maybe the day before. What was forecast for Saturday (two days before the event) was 9 mph winds and a little drizzle. By  6 am on Saturday we had 15 mph sustained winds and had gusts during the night on the site up to 30 mph and much more rain than a drizzle. From there it only kept getting worse - we kept one eye watching the weather reports and the other  eye on safety, making further contingency plans and  wind break and ballasting provisions. By Sunday it seemed like we might make it - perhaps we had been through the worst of it and we were in clean-up mode for most of the day. Monday (event day) was a little wetter but not as windy at first.  We cleaned up some more,  kept our heads down,  kept moving forward, and we were all confident that we were going to get through it. The forecast was calling for winds that were on the edge of our limits - but not over. The decision was made to go for it - do the event as planned. 

the governator at the lectern!In fact, the event did go as planned as the arrivals were on schedule, the press conference went off and the guests were ushered out for the reveal on the taxiway - no doubt it was windy and it was cold - we had recorded gusts of 40 mph and sustained winds of 28 mph, which with wind chill brought the temperature down to the low 20’s. Anyone who's been in that can tell you that it feels a lot worse, but the important thing was that we never allowed our guests or crew to be in danger. Post-reveal, the party began and the winds actually abated a bit - the rain stopped, the sky cleared up, and it looked amazing. The drinks were flowing and it all seemed good, but the forecast was not good. We were monitoring NOAA closely and a high wind advisory had been issued for the area - recorded winds at Edwards Air Force base 10 miles away had reported winds over 70 mph. At the same time we got a call from the Mojave tower which was just 5,000 feet from us up the runway, and they said they were recording wind gusts in excess of 60 mph. It was almost like we were in the eye of a hurricane as it was the calmest period we had seen in two days. A unanimous decision was reached quickly with Emergency Services, the Producer, and the Client - let's get the guests out of here now. We started an evacuation as winds became increasingly violent. It was very hard to move people out, no one wanted to leave the relative comfort of the tent for  the biting cold of the tarmac. Fritha, our producer, led the charge and moved 15 bus loads of guests and reporters out of the event site in less than 30 min. I know that coordination and rapid response saved lives - there is no doubt in my mind about that. With all guests safe, our focus  shifted squarely  to ourselves. I still thought we would be ok, but I had no idea how bad it was about to get. The wind picked up and was easily over 70 mph sustained winds - the inflatable dome structures had failed. We made sure  they were excavated and clear of all personnel. We then began giving evacuation orders to all our crew. I felt real personal danger, I was very worried that the structures that were upwind of us might be failing and we would be in serious peril.

nothing is stronger than the wind in the endI thought of my family, and I thought I needed to stay safe so I went for a vehicle to seek shelter and to look at the structures upwind. I realized at this point that it was only going to get worse. Nothing temporary was going to survive these winds - it was blowing hard and steady at more than 70 mph. I worried that there was no where  for any  of us to take proper shelter other  than a single 40’ sea container. On my way to the truck I realized that we still had at least 75 staff onsite - we all needed to get to safety and fast. I found Matt and we quickly moved  to get everyone out  immediately.  Along with Emergency Services we ordered everyone to go to the vehicles and to proceed to the road that was out of range of flying debris. A last ditch effort was being made to save the clearspan - there were 30 people trying to hold back the wind that was caving in the gable end. The ship was going down and there was no way anyone was going to save it, I told them to let it go - get safe. With the immediate site clear Matt and I went to check on the structures upwind - they looked ok, not great, but still standing. It was then that the clearspan gave way, as Matt and I watched from about 250’ away - the end wall collapsed, the counter weights were flipped off their moorings, and the 82' wide tent flew up in to the air like a kite, successively flipping 12,000 lbs of concrete blocks at every bay. I have never seen anything like it and I hope I never do again. I was confident we had cleared the site and that  all were safe but we proceeded to check in within all crews and confirm that all were indeed safe and accounted for. The entire time period from when the evacuation started to when the site became a disaster zone was less than 60 minutes.

The  gravity of the incident took some time to set in - I realized the next morning how lucky we were no one was killed let alone that no one was injured - it could have been so much worse. I was recounting the events of the night before  to my wife that morning and I realized that I thought people were going to be seriously hurt, and possibly even  killed. I had never been in such an extreme situation before.  I have had tense moments before - dealt with snow storms, high winds, extreme heat, put out more than a few fires (literal and figurative), but I had never been so exposed to the elements and had them be so severe. In the heat of it you don't think about it, you push on but I felt lucky that we had all escaped. The tents were destroyed as  were many production elements -  but that's just stuff and stuff can be replaced. We did it right and we did it by the book, but I know there was some amount of luck involved and that fate was shining favorably on us that night. 

the model survived unscathed Three days later  as I was walking my son to school, his hand in mine,  he asked  how my spaceship launch went and I realized what was important - what I would always remember from this event. I would remember that stuff is just stuff and that people are important - put people first. 

I wish to thank my family, my friends, and all the event professionals I and the rest of the glue team  had the pleasure of working with  these past 12 months, for an amazing year - it's been the hardest on record and Eric and I are confident that 2010 is going to be better, and we can all rest assured 2009 is behind us.

All the best to you and yours in 2010,

Tom Bussey
 founding partner, production glue

Friday
20Nov2009

RFK Center Awards Gala

The Robert F. Kennedy Center for Justice and Human Rights awarded Bono and Wyclef Jean the organization’s 2009 Ripple of Hope Award at an annual dinner held at Pier 60 on Manhattan’s West Side on November 18.

production glue Technical Director Tim McDevitt was pleased to work for Jennifer Borak of Jbo Productions again this year to provide a front-of-house entry to the event that included a 40’ step-and-repeat banner, red carpet, and lighting for the press to capture photos of the many celebrities and dignitaries that attended the annual gala.

Kerry Kennedy, founder of the RFK Center for Justice and Human Rights said “As champions of justice, Bono and Wyclef have brought the national spotlight to human rights violations, empowered local activists, and transformed the lives of millions of people living in poverty from Port-au-Price to Darfur.”

The award honored Bono, lead singer for U2 and co-founder of the organizations ONE and (Product) RED, for his efforts in the fight against extreme poverty and preventable disease.  Jean was recognized for his work to strengthen and inspire change in his native country of Haiti through his Yele Haiti organization.

Other attendees at the event included Ethel Kennedy, Kerry Kennedy, Robert F. Kennedy Jr., Harry Belafonte, Martha Stewart, actors Matthew Modine and Gloria Reuben, radio host Bill O’Reilly, and New Jersey Governor Jon Corzine.

The RFK Center for Justice and Human Rights is a nonprofit organization dedicated to advancing the human rights movement through innovative support to human rights defenders around the world.

Friday
20Nov2009

American Eagle Live in Times Square


production glue oversaw the technical production of two events celebrating the opening of the new American Eagle Outfitters flagship store opening in Times Square NYC. These events were produced by Sara Csillag (EMM Group) for Shadow PR. The production glue team was lead by Technical Director Jack Hilley, who was joined on-site by Lucas Zimmerman. Lighting designer Seth Bernstein rounded out the key players in glue’s management production team.

The first of the two events took place the evening of Nov 17th–  an influencer party in which American Eagle executives, board members, VIPs, and celebrities were invited to tour the new store and participate in interactive activities spread throughout the store's 3 floors.  One of the more popular of these activities was a custom hoodies and trucker hat station where partygoers could create one of a kind take home clothing inspired by the American Eagle Brand.  Entertainment included celebrity DJ Pete Wentz and a vocal performance by Leighton Meester (from the hit TV show “Gossip Girl”).

glue was responsible for the supervision of the event's staging, lighting, and audio.  The lighting for the event included a design for the main stage of moving lights and moving head LED arrays.  Throughout the rest of the store, color-change LED fixtures and colored T5 fluorescent fixtures were used to set the mood for the party while highlighting particular architectural fixtures throughout.

production glue's true star of the evening was video. Shot in HD using 3 manned cameras and 3 fixed "robocams," scenes from the red carpet and party activities were sent to plasmas located on all 3 floors and on the 5 story high exterior LED screen.  A crowd gathered in Times Square to voyeuristically peer inside as anticipation grew for the store's opening.

The second event was held two days later on Nov 19th–  a traditional ribbon cutting ceremony to mark the official opening of the store. Simple camera lighting and audio reinforcement was employed to support the program, and once again HD video was sent to the exterior LED screen capturing the event and surrounding ambiance from our 3 manned cameras (including a 24' jib camera).  The program commenced with the Rutgers Drum Line, who marched wearing AEO apparel.  The speakers at the event included AEO CEO Jim O'Donnell and Deputy Mayor Dennis Walcott, among others.    As the ribbon was cut, a red ribbon animated graphic curled back on the giant LED display marking the moment of the opening.  Eager shoppers entered the store with coupons in-hand to begin their shopping.

Many thanks to American Eagle, Shadow PR, and EMM Group for the opportunity to work on this exciting project in the heart of Times Square.